As we mark Grenada’s ninth participation in this 61st Biennale di Venezia, I am filled with a profound sense of pride and reflection. Each appearance has been a deliberate exercise to network with Italy and the entire world to strengthen our capacity as a small island state. With the sanction and support of the Minister of Culture,  we forge onward.

This ninth milestone is a number that  represents continuity, growth, and an evolving vision. Over the years, we have learned that our story does not exist in isolation. It is interwoven with the rhythms, histories, and aspirations of our Caribbean neighbors. And so, in 2026, we take a deliberate and meaningful step forward.

We expand our territory.  As in the days of the Kalinago, the Caribbean Sea becomes not a barrier but a connector.  The Grenada Pavilion is no longer just a space for one island’s voice as it becomes a platform that embraces the wider Caribbean experience. We open our doors to collaboration, to shared narratives, to the powerful diversity that defines our region. From the smallest island to the largest nation, each voice carries a unique cadence, yet together they form a chorus that cannot be ignored.  We welcome our international artists and the strength of their voices.  We are enhanced by these connections. Russell Watson from Barbados, Edward Bowen from Trinidad, join Lilo Nido and Christ Mast, Jeverson Ramirez and finally Arthur Daniel.  The roster of international artists enriches us. 

Asher Mains, MFA  as researcher and writer draws on the writings of  Edouard Glissant, Martinique philospher and writer whos foundation was shaped by France and daily life in the Caribbean.   Our Caribbean/European history with African and Southeast Asian multipliers has made us into the symphony of synthesis that we are today.  We are culturally rich for it.

Let me be clear: this is not a competition. We are not here to outshine one another, but to stand beside each other. To uplift, to learn, to exchange, and to celebrate. Our strength lies not in comparison, but in connection. When one Caribbean story is told, it echoes across the sea and belongs to us all.  It is an historic moment that the the nations of Bahamas, Haiti, Cuba, and Grenada will host pavilions, as well as more than a few other Caribbean artists who are included in the curation by Koyo Kouoh.  I think maybe she knew that the Caribbean artists would add unexpected grace notes to her Minor Keys.

The cooperation with our curator Daniel Radini Tedeschi and his team over several Biennales has only given wings to our aspirations.  All of the sponsors and supporters who contribute have caught our vision of a world that could be, one where peace prevails and where art is the harbinger.

As Commissioner, I see this moment as both an honour and a responsibility. We move forward together—with intention, with unity, and with an unwavering belief in the power of collective presence.

Grenada stands proud in its ninth participation. But more importantly, we stand open—ready to walk this journey not alone, but as part of a vibrant and united Caribbean family.

Together, we go forward.  Forward ever.

Dr. Susan Mains

Commissioner